As the flowers begin to blossom and winter shakes off its last chill, spring invites us to refresh our reading list and try something new. As the season blooms with fresh possibilities, it’s the perfect time to dive into a new book and embark on a literary adventure. Whether you’re looking for a gripping thriller or a heartwarming tale, we’ve curated a list of books that will help you unwind in the sunshine.
October, 1982. Forced to move to the quiet seaside town of Tasker Bay by her mother, the only thing on high schooler Andi’s mind is saving up enough money to return to her old stomping grounds in Silicon Valley. Her self-taught skills with all things electronic make her a perfect fit for a job at the dingy local arcade where she can tune out from life and bankroll her eventual escape.
Pining over the distant and aloof Andi is Ro, the son of Tasker Bay’s sheriff, who begins spending more time at the arcade. Despite promising herself she wouldn’t get attached to anyone in town, Andi finds herself opening up to the thoughtful, like-minded Ro.
When Polybius—a new bleeding-edge game of unknown origin arrives—the shop is suddenly overwhelmed with players fighting for time on the machine. Seemingly overnight, a virus-like epidemic grips Tasker Bay while a violent coastal storm rolls in, isolating it from the outside world. People begin experiencing fits of anger, paranoia, and hallucinations—no one can be trusted. After a grisly act of violence goes unsolved, the town descends into chaos. Is the arrival of this mysterious game and the disorder in Tasker Bay a coincidence? Convinced the dire situation is somehow linked to Polybius, Andi and Ro desperately search for clues that might stop the spread before they, too, begin experiencing side effects…
When Diane Schwebe, the director of a major New York museum, is awakened in the early morning by a text message from the museum’s lawyer, it is the start of a twenty-four hour roller-coaster ride.
Diane has sacrificed many things in her life to help the fading institution stave off irrelevance and financial ruin. In this battle, she’s surrounded by her stalwart supporters: her enigmatic and tireless personal assistant, Chris; the museum’s trusty head of security, Shay; and its general counsel, Henry—a man whose ability to weasel his way out of a jam is matched only by his capacity to avoid learning anything from the experience.
Orbiting Diane is a motley assortment of museum employees, each on the precipice of collapse or revelation: among them a line cook staring down a huge opportunity he’s not sure he wants; a costume curator stuck in an inescapable rut; and the ambivalent curator of the museum’s film program, whose first day on the job might very well be his last.
On this day of the museum’s annual gala, every plate that Diane has kept spinning will fall and by daybreak, someone will be dead.
Wise, surprising, and darkly funny, Friends of the Museum is a kaleidoscopic tragicomedy that surges along to the unstoppable tick of the clock, leaving you on the edge of your seat until the final second.
On a blistering summer day in 1968, nine-year-old Tommy vanishes without a trace from Coram House, an orphanage on the shores of Lake Champlain. Some say a nun drowned him, others say he ran away. Or maybe he never existed. Fifty years later, his disappearance is still unsolved.
Struggling true crime writer Alex Kelley needs a fresh start. When she’s asked to ghostwrite a book about the orphanage—and the abuses that occurred there—she packs up her belongings and moves to wintry Burlington, Vermont.
As Alex tries to untangle the conflicting stories surrounding Tommy’s disappearance, her investigation takes a chilling turn when she discovers a woman’s body in the lake. Alex is convinced the death is connected to Coram House’s dark past, even if local police officer Russell Parker thinks she’s just desperate for a career-saving story. As the body count rises, Alex must prove that the key to finding the killer lies in Tommy’s murder, or risk becoming the next victim.
Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: to write the biography of a woman no one has seen in years—or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the twentieth century.
When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game.
One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over.
Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication.
Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition.
But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room.
And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad . . . depending on who’s telling it.
Bo knows she should go. Years of rain have drowned the city and almost everyone else has fled. Her mother was carried away in a storm surge and ever since, Bo has been alone. She is stalled: an artist unable to make art, a daughter unable to give up the hope that her mother may still be alive. Half-heartedly, she allows her cousin to plan for her escape—but as the departure day approaches, she finds a note slipped under her door from Mia, an elderly woman who lives in her building and wants to hire Bo to be her caregiver. Suddenly, Bo has a reason to stay.
Mia can be prickly, and yet still she and Bo forge a connection deeper than any Bo has had with a client. Mia shares stories of her life that pull Bo back toward art, toward the practice she thought she’d abandoned. Listening to Mia, allowing her memories to become entangled with Bo’s own, she’s struck by how much history will be lost as the city gives way to water. Then Mia’s health turns, and Bo determines to honor their disappearing world and this woman who’s brought her back to it, a project that teaches her the lessons that matter most: how to care, how to be present, how to commemorate a life and a place, soon to be lost forever.
The four Endicott siblings—Gemma, Connor, Roddy, and Jude—were once inseparable, a bond created by the absence of their dazzling, mercurial mother, who would return for a few weeks each summer to whisk them off on sprawling road trips around the country.
Decades later, the unthinkable has happened: the Endicotts haven’t spoken in years . . . until an out-of-the-blue text arrives from Jude, now a famous actress, summoning them to a small town in North Dakota. They’re each at a crossroads: Gemma, who put her own ambitions aside to raise the others, now isn’t sure if she wants to be a mother herself; Connor, a celebrated novelist, is floundering after his recent divorce and suffering from an epic case of writer’s block; and Roddy, at the tail end of a professional soccer career, is dangerously close to losing his future husband for the chance at one last season.
Jude is the only Endicott who seems to have it all together—but appearances can be deceiving. As the weekend unfolds, and the siblings wrestle with their shared past and uncertain futures, they’ll discover that Jude has been keeping three secrets . . . each of which could change everything.